Halah Mohammed has posted the second part of our interview on her blog: read here!
“How has your journey been with the Fulbright?”
“There is something really interesting about being an outsider and deeply studying an art form of another culture. I’m not looking at really established artists. I’m looking at people who have different day jobs and are doing poetry on the side because they love doing it. Also, performance poetry hasn’t gotten a lot of traction in academia yet. Partially because it’s new and because it’s perceived as low-brow art. I understand where that perception comes from but I still think performance poetry deserves more critical attention.
I’ve been welcomed (into Scotland) completely. I’ve never felt the sense of ‘what are you doing here?’ or ‘You’re from the States so you can’t perform at our Open-Mics!”. It’s never been that way at all. For me as an academic and an artist it’s been really good to have a dual identity because…
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