Hello all! My apologies that this site has been so quiet over the past couple of months; I’ve been quite busy working on several projects so I haven’t had the time to post as regularly as I’d like. However, more posts on spoken word are coming! I have several drafted plus a couple guest posts lined up for you, so stay tuned . . .
For now, though, I’d like to share with you news of one of the projects that’s been keeping me busy this year. As many of you will know, my MRes research (Univ. Strathclyde, 2014-15) focused on poetry written for the 2014 Scottish independence referendum, specifically investigating narratives of national history and identity woven through this body of work. Early in my research, I was introduced to Sarah Paterson, a fellow researcher doing similar work through her PhD at the University of Glasgow. We wanted to connect more researchers, artists, and activists engaged in this field, so we co-organised a conference for Sep. 2015 at the National Library of Scotland entitled ‘Poetic Politics: Culture and the 2014 Scottish Independence Referendum, One Year On.’ The conference was opened by Scottish culture minister Fiona Hyslop and featured talks and performances from cultural figures including Robert Crawford, Scott Hames, Liz Lochhead, Alan Bissett, and many more.
One of the ideas discussed during the conference was the ephemerality of much of the poetry (indeed all art) composed during/inspired by the referendum campaigns. Much of it was performed a couple times or shared privately but not published in any sustainable, accessible fashion. Sarah and I had discussed how, as researchers, this made our work more challenging as we had to gather material from the individual poets; and also that it was a shame that this work wasn’t more available more widely for folks to read. So, we decided to take a small step towards remedying this issue by co-editing an anthology of contemporary Scottish political poetry.