Hello everyone! I’m writing to share some big news: this weekend Loud Poets launched a Patreon campaign! If you’ve not heard of Patreon, it’s an excellent crowdfunding platform which allows supporters to pledge regular contributions to artists they appreciate. This gives these artists a more sustainable income (in oppose to one-off crowdfunding campaigns which are tied to single projects), which can be a huge help given the usually unstable prospect of arts funding and project fees.
Loud Poets have been working for the past three years to provide a platform for spoken word in Scotland through organising monthly showcases in Edinburgh and Glasgow, writing solo and collaborative pieces, working with musicians and filmmakers on innovative projects, and touring within the UK and internationally. We’ve done all of this so far with no funding, just ticket revenue, project fees, and merchandise sales. However, we’re now working to pay our artists what they deserve and to become a more sustainable organisation so that we can continue doing this work long into the future. We also want to push the limits of our creative practices by making more innovative, professionally produced videos for our poems and sharing them online freely and accessibly to folks who can’t access our live shows.
If you’re interested in learning more about this work, and about the rewards for patrons who support it, you can check out our campaign by following this link to our Patreon page. There’s a launch video that explains the work we’re planning to do and how you can be a part of it. We’re also running a special competition where folks who sign up before Saturday can win the chance to commission a new poem, so if you’re interested do check that out. Huge thanks to everyone whose supported us thus far; we can’t wait to bring you more poetry! – Katie
Posted in Performance Poetry
Tagged art, crowdfunding, innovation, Loud Poets, Patreon, performance poetry, poetry, poetry slam, poetry videos, Scottish spoken word, Slam poetry, spoken word
Hello all! This week I’m delighted to feature a guest piece by my dear friend Freddie Alexander on this site. I met Freddie the first time I moved to Edinburgh, in 2012, and was blown away by his tight writing and his energetic, intense performance style. Freddie currently organises the monthly Edinburgh Open Mic Inky Fingers, and has previously been an organiser for the University of Edinburgh’s Soapbox and the 2014 National University Poetry Slam. He has been a live performer at several nights in Edinburgh, and will be featured in the Loud Poets 2016 Prague Fringe Festival tour.
Previously on this site I’ve shared my own experiences with crowdfunding and offered some tips for artists who are considering crowdfunding projects. However, I’ve never posted on the controversy that surrounds crowdfunding in the arts—and boy is it a big one. The concept of asking for money for art (or to support an art-making life) has ignited massive debates particularly in the past five or ten years. The publication of texts like Amanda Palmer’s The Art of Asking (which I highly recommend) advocating crowdfunding, and the production of massive-scale projects such as Zach Braff’s film “Wish I Was Here” have brought attention to the use of this tool by major artists. In his post below, Freddie teases out some of the controversies associated with crowdfunding, offering a balanced consideration of crowdfunding’s potential benefits and pitfalls. This can be a tricky subject to navigate, and I admire the thought and attention Freddie brings to it. Hope you enjoy! – K Continue reading
Hi everyone! Last spring I ran a Kickstarter campaign to crowdfund the publication of my first poetry collection and the production of my first poetry video. It was successful beyond my expectations, and now both the collection and the video have been finished and released (you can purchase Homing here and view “Polos” here). The production of both of these projects would not have been possible without the start-up capital I raised through Kickstarter, so I’m incredibly grateful to everyone who supported my campaign and made this work possible. Although the funding period is closed, my campaign page is still up if you’d like to check it out, here.
I was lucky enough to do my Kickstarter campaign right after fellow Loud Poet Kevin Mclean had successfully run his. Yesterday he and I discussed our campaigns for the Loud Poets vlog series on our new YouTube channel. That video contains some of the tips and tricks I list here; I’m publishing this post to have a handy written guide and to add a couple tips not included in the video. Here’s the video if you’d not seen it yet:
Check out more suggestions after the jump!
A different kind of post on the website this week . . . I have a major announcement about my own creative work.
As I wrote last week, performance poetry allows fantastic engagement with a live audience, but few tangible products for the audience to purchase after the show. The poet might perform a brilliant set, but afterwards there’s no book for the audience to take home. Publishing pamphlets is one of the best ways for performance poets to earn income on their work, which in turn enables them to continue making that work. Continue reading