Hello all! I’m delighted to feature another guest post on the website today, this time from the incredibly talented Glasgow-based spoken word artist Shannon MacGregor. Shannon came onto the scene like a thunderbolt in 2015, wowing crowds with her sharply written and dynamically delivered work. She recently represented Team Glasgow at the 2017 UK UniSlam. In addition to being an inspiring poet and performer, Shannon also supports the scene by co-organising Aloud, the poetry open mic at the University of Glasgow.
Here, Shannon shares some insights on her experiences being an artist in the Glasgow spoken word scene. Enjoy!
Photo credit: Perry Jonsson.
Hello everyone! One of my biggest joys this past year has been doing more teaching. One of the chief reasons I got into academia was to teach – I’ve found that there’s no better way to learn than to share your knowledge with others. In the autumn I taught Intro to Creative Writing at Strathclyde, where the syllabus mostly focused on prose. Since I’ve primarily written and researched poetry for the past several years, it was wonderful for me to revisit the basics of prose writing and work with my students to develop their skills. This semester I will be teaching ‘Writing Real Life,’ a third-year course focused on creative non-fiction. I’m really enjoying prepping for the course by reading as many essays, profiles, and memoirs as possible! It’s particularly interesting for me as a (usually) confessional spoken word artist to consider the fine line between truth and fiction in well-crafted creative ‘non-fiction,’ particularly considering the haziness of memory.
In addition to teaching at Strathclyde, I’m also excited to be delivering several one-off workshops that will be open to the public. Although these workshops will differ slightly, each is focused on getting folks started composing and performing spoken word. Details are below; would be wonderful to see you there!
First, I’m delighted to be giving a workshop as part of this year’s Audacious Women Festival in Edinburgh! The festival’s motto is ‘Do what you always wish you dared,’ and the workshops offered encourage women to get out of their comfort zones and challenge themselves to boldly do what they never thought they could. I’ll be delivering a two-hour spoken word workshop specifically for women on Saturday, 25th Feb. at the Scottish Storytelling Centre. This workshop is for women of all ages and experience levels, and will give you the tools you need to begin writing and performing audaciously. Tickets available here.
Second, I am incredibly honoured and excited to be delivering a workshop at this year’s StAnza festival in St. Andrews! My fellow Loud Poet Kevin Mclean and I will be giving a two-and-a-half hour workshop on Sunday, 5th March to anyone interested in composing and performing spoken word. The workshop is FREE and open to all. Later that day we’re holding a Loud Poets showcase in the same space, so why not make it a spoken word afternoon? Details on the StAnza website.
Finally, in May I’m very pleased to be giving a workshop for the new social enterprise The Curious Thing in Stirling! This project provides classes for adults looking to learn new skills and re-invests all profit back into the community to create social change. I’ll be giving a two-hour workshop on 18th May at the Stirling Smith Gallery for adults interested in writing and performing their own poetry. Tickets are now available via this link.
If you’re interested in booking me or any of the Loud Poets for a workshop, please contact us through email@example.com and we’d love to work with you. Hope you’re having a creative 2017 so far! – Katie
Photo credit: Perry Jonsson
Posted in Performance Poetry, Teaching
Tagged Audacious Women Festival, Loud Poets, performance poetry, poetry workshops, Scotland, Scottish poetry, spoken word, StAnza, The Curious Thing, workshops
Hello all! My apologies that this site has been so quiet over the past couple of months; I’ve been quite busy working on several projects so I haven’t had the time to post as regularly as I’d like. However, more posts on spoken word are coming! I have several drafted plus a couple guest posts lined up for you, so stay tuned . . .
For now, though, I’d like to share with you news of one of the projects that’s been keeping me busy this year. As many of you will know, my MRes research (Univ. Strathclyde, 2014-15) focused on poetry written for the 2014 Scottish independence referendum, specifically investigating narratives of national history and identity woven through this body of work. Early in my research, I was introduced to Sarah Paterson, a fellow researcher doing similar work through her PhD at the University of Glasgow. We wanted to connect more researchers, artists, and activists engaged in this field, so we co-organised a conference for Sep. 2015 at the National Library of Scotland entitled ‘Poetic Politics: Culture and the 2014 Scottish Independence Referendum, One Year On.’ The conference was opened by Scottish culture minister Fiona Hyslop and featured talks and performances from cultural figures including Robert Crawford, Scott Hames, Liz Lochhead, Alan Bissett, and many more.
One of the ideas discussed during the conference was the ephemerality of much of the poetry (indeed all art) composed during/inspired by the referendum campaigns. Much of it was performed a couple times or shared privately but not published in any sustainable, accessible fashion. Sarah and I had discussed how, as researchers, this made our work more challenging as we had to gather material from the individual poets; and also that it was a shame that this work wasn’t more available more widely for folks to read. So, we decided to take a small step towards remedying this issue by co-editing an anthology of contemporary Scottish political poetry.
My co-editor Sarah Paterson and me with our book!
Posted in Scotland
Tagged book, independence referendum, indyref, Luath Press, poetry, politics, publication, publishing, Scotland, Scottish poetry, Scottish politics
Hello, everyone! I’m very excited to finally share a project I’ve been developing for a while. Last year, Sarah Hamlin and I co-organised a conference called Poetic Politics: Culture and the 2014 Scottish Independence Referendum, One Year On which took place at the National Library of Scotland in September 2015. The conference focused on the cultural legacy of the referendum and featured artists, politicians, and academics from across Scotland, including former Makar Liz Lochhead, Culture Minister Fiona Hyslop, and poet and scholar Robert Crawford. One of the themes discussed at the conference which struck me the most (discussed articulately by National Library of Scotland Referendum Curator Amy Todman) was the ephemerality of many of these cultural responses, and the difficulty of collecting and archiving this work. So many poems were shared live at rallies, or posted on private social media pages, but never published in any sustainable or public way.
So, in an attempt to bring more of this fantastic work to light, Sarah and myself are publishing an anthology! We’re undertaking this project in partnership with Luath Press, and will be working with a larger sub-editorial team of researchers from a variety of fields (English Lit, Scot Lit, Politics, History, etc.) to bring a wealth of perspectives to the table when combing through submissions.
If you have written any poetry engaging with Scottish political issues, we would love to read your work! The call for submissions is on our website; submissions are due May 15. Poems need not respond to the Scottish constitutional question but may address a wide range of political issues. We welcome work in any language, although translations are required in English, Scots, or Scots Gaelic for any poems not in those languages. Although the anthology will be a physical, print-based book, we also welcome submissions of performance-based poetry (in video or audio format) for consideration for publication on our website.
If you have any questions, please don’t hesitate to get in touch! -Katie
Posted in Referendum Research, Scotland, Scottish identity, Scottish independence
Tagged anthology, call for submission, poetry, poetry call for submission, publishing, Scot Lit, Scotland, Scottish culture, Scottish independence referendum, Scottish poetry
I was delighted to spend this past weekend performing and volunteering at the wonderful international festival for poetry in St. Andrews, StAnza. It was my second time attending the festival, and I had an incredible weekend of hearing/watching/reading/making/performing poetry, chatting with other poets and organisers, and a huge amount of stimulus and inspiration. My head is buzzing with ideas that need out! So here I’ll share some of my reflections from the festival. There are lots of other folks blogging about their experiences as well – check out Carly Brown’s posts as the StAnza in-house blogger here and Dave Coates’ reviews on his (awesome) website, here. You can also search the #StAnza16 Twitter hashtag or check out the @StAnzaPoetry Twitter feed to see the live-tweeting from the weekend.
Kevin Mclean and me after our Poetry Cafe show with our friend Tracey Rosenberg, who’s in charge of the bookstalls at the festival.
The packed house at Five O’Clock Verse on Friday.
Hi folks! Today I’m posting something different. I was asked recently by the UK-US Fulbright Commission to speak at a conference for Holyrood Events in Edinburgh entitled International Students: Creating a Home Away from Home. They wanted to hear the perspective of an international student in Scotland on the joys and challenges of studying here and the benefits international students bring to Scotland in addition to their economic value. I wrote the following talk for them and delivered it at the conference this morning (Feb 24, 2016). The conference was fantastic: it was chaired by Henry McLeish, the second First Minister of Scotland, and opened by Humza Yousaf, MSP, who spoke eloquently on the need to bring back the post-study work visa. It was incredibly empowering to hear government and institutional officials discussing immigration in positive terms and advocating easing the restrictions which the U.K. Home Office is currently ramping up. So often as international students I think we can feel isolated and powerless, so it was good to hear that on the issue of immigration, Scotland remains internationalist and that there is universal cross-party consent at Holyrood for facilitating international students’ journeys here and their ability to stay following their studies.
My talk is below. I would welcome any comments you have on it, especially from other international students perhaps facing similar challenges. Thanks, as always, for reading!
A couple weeks ago, in the first seminar discussion for the Constructions of Scotland class I’m auditing at Strathclyde, we were introducing ourselves and the professor (Dr. David Goldie) said he’d heard I was a Scottish poet. “Well,” I fumbled, flattered but confused, “I do write poems and I’m in Scotland…” He replied, laughing, “There you go! A Scottish poet.” He then went on to unpack this and led us into a discussion of what constitutes identity, particularly in the literary world. It’s a question that’s been working in the back of my mind for weeks now: can I, as an American citizen freshly moved to Glasgow, really assume the title of Scottish poet? It’s true that I’ve written poems while physically in Scotland, as well as poems about Scotland. And I’m active in the Scottish slam scene while I’ve never taken the stage in the U.S. But still. My Philly accent gives me away as American the moment I open my mouth to read stanza one. It’s caused me to think: how do we define who is a Scottish writer? Or a Scottish dancer, or artist, or whatever one’s craft may be? Continue reading